Annual Nada Festival
A multi-day flagship festival of Indian classical and sacred music with an international headliner, supported by students and faculty.
The concept is both a performance house and an academic program. Every line below is proposed; artists are unbooked and degrees unapproved.
A multi-day flagship festival of Indian classical and sacred music with an international headliner, supported by students and faculty.
Four ticketed evenings a year featuring Hindustani, Carnatic and dance artists.
Community-priced devotional evenings with open seating.
Recitals by faculty and the distinguished chair, recorded for archive.
Degree recitals, contingent on approval of proposed tracks.
Festival programming tied to the Hindu calendar for the regional community.
Named search for a scholar-practitioner; salary, research and program budget.
Reference model assumes a cohort of 20 to 40 scaling toward 120 by Year 5; requires approval.
Short-form study in Nada yoga, Vedic chant pedagogy, raga theory and sound studies.
Studio albums by faculty and residency artists, plus archival restoration.
Tiered library of concerts, masterclasses and lectures.
Two- to five-day chant, kirtan and listening retreats at Pine Lake.
Visiting ensembles, dharmic organizations and recording clients during off-peak periods.
Mission-aligned underwriting of named series and the festival.